The last master was an old woman named Lola Abad. Her hands were knotted as roots, but her eye for tension was a gift from the earth itself. She lived alone in a stone hut where the only sound was the zip-zip-zip of her awl punching holes through raw leather.

On the seventh night, he crawled back up the mountain path to Lola's hut, tears freezing on his cheeks. "Take it off," he whispered. "I'll leave. I'll deed the mountain back to Tagoya. I promise."

Héctor scoffed and ordered his men to start clearing the eastern slope.

One autumn, a man named Héctor came to Tagoya. He was a developer with soft hands and a hard smile, and he had bought the mountain from the distant capital. He arrived with engineers and orange spray paint, marking ancient oak trees for felling. The villagers, whose grandfathers had worn Tagoya cinturones to their weddings and their graves, stood silent. They had no deeds. They only had memory.

For three centuries, the craft had been passed down through the Abad family. Not ordinary belts, mind you. These were cinturones de voluntad —belts of will. Each one was braided from the hide of a wild horse that had never felt a bit, cured in the smoke of sacred copal, and stitched with agave fiber under a waning moon. A Tagoya cinturón, they said, could hold a man to his word, bind a promise against a storm, or, if worn by a woman scorned, snap a liar's breath clean in two.