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From to 4444 (hello, alpha channels!), there’s a ProRes for every job.
Shoot in ProRes if your camera allows. Or transcode your H.264 footage to ProRes before editing for a stutter-free timeline. .prores video
Drop your workflow below. ⬇️
Also — if you shoot on an iPhone or an external recorder, do you always capture in ProRes, or only for certain projects? From to 4444 (hello, alpha channels
Whether you’re on Final Cut, Premiere, or Resolve, ProRes keeps your timeline buttery—even with 4K. From to 4444 (hello
✅ A visually lossless, intra-frame codec. Unlike long-GOP codecs (like H.264), every frame in a ProRes file is encoded independently. This makes editing incredibly smooth, even with 4K or 8K footage.
#ProRes #VideoEditing #PostProduction #CodecExplained #FilmmakingTips