Ortega has not been immune to criticism. Some technologists argue her focus on non-interactive, linear narratives fails to leverage VR’s full interactive potential (e.g., hand-tracking, object manipulation). Others in the Latinx community have questioned whether her gentle, domestic stories avoid harder political confrontations with systemic violence. Ortega responds that intimacy is political: “To show a grandmother’s love as worthy of a VR headset is to say that working-class brown life is extraordinary. That is radical.”
Beyond her artistic output, Ortega is a vocal critic of "poverty porn" and exploitation in VR documentaries. She argues that because VR feels so real, creators have an elevated ethical duty. In a 2021 keynote at the International Documentary Festival Amsterdam (IDFA), she stated: “When you place a viewer in someone’s trauma in 360°, you are not just showing pain—you are imposing it. We need consent protocols for immersive journalism.” gaby ortega vr
Gaby Ortega began her career in traditional documentary filmmaking and theater, where she developed a focus on spatial storytelling—how bodies move and relate within a physical environment. Her transition to VR around 2016 coincided with the release of consumer headsets like the Oculus Rift. Recognizing that VR’s unique affordance (presence, or the feeling of "being there") could solve a problem in documentary film—the distance between subject and viewer—Ortega began experimenting with volumetric capture and 360° video. Ortega has not been immune to criticism
As of 2026, Gaby Ortega is the Creative Director of , a non-profit studio in Los Angeles dedicated to training Latina youth in VR production. She is currently developing a mixed-reality installation for the Smithsonian’s National Museum of the American Latino, combining archival photographs with spatial computing. Her work is taught in university courses on immersive media, diversity in tech, and digital ethnography. Ortega responds that intimacy is political: “To show