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And in the bottom right corner of that drawing, almost hidden, she added one more character: a tiny artist at a desk, lit only by a laptop screen, drawing a triangle, a circle, a zigzag. The character was looking away from the crowd.

She drew five blank boxes. In box one, she sketched a tall, rigid triangle of a woman—sharp shoulders, a chin like a blade. In box two, a hunched, lumpy circle—an old gardener with a spine like a comma. In box three, a frantic zigzag—a messenger boy, all elbows and knees. In box four, a wide, stable square—a blacksmith with a neck like a tree trunk. In box five, a delicate hourglass—a pianist with fingers like spider legs. And in the bottom right corner of that

Mina had been staring at the same blank canvas for forty-seven days. In box one, she sketched a tall, rigid